Varolu\u015f tarz\u0131na i\u00e7kin bir etkinlik olarak k\u00fclt\u00fcr[1], yaln\u0131zca somut t\u00fcketim \u00fcr\u00fcnleri \u00fcretmekle kalmay\u0131p, ki\u015fileri ve toplumlar\u0131 d\u00f6n\u00fc\u015ft\u00fcren, kimi zaman s\u0131\u011f\u0131n\u0131lan alanlar sunup kimi zaman direnme pratikleri yaratan bir olgu olarak kar\u015f\u0131m\u0131za \u00e7\u0131kmaktad\u0131r.[2] Peki, kendi ba\u015f\u0131na bir g\u00fc\u00e7 ve direnme alan\u0131 haline gelebilen pop\u00fcler k\u00fclt\u00fcr LGBT\u0130+\u2019lar i\u00e7in ne ifade ediyor? Pop\u00fcler k\u00fclt\u00fcr\u00fcn LGBT\u0130+\u2019lar\u0131n ya\u015famlar\u0131na etkileri kadar kolektif de\u011fi\u015fimdeki yans\u0131malar\u0131 nas\u0131l kendini g\u00f6stermektedir?<\/p>\n
Kaos GL Dergisi\u2019nin 192. Say\u0131s\u0131yla birlikte \u201cPop\u00fcler K\u00fclt\u00fcr\u201d dosya konusunu tart\u0131\u015fmaya a\u00e7t\u0131k. Dosyaya, \u201cPop\u00fcler K\u00fclt\u00fcr Bizim K\u00fclt\u00fcr\u00fcm\u00fcz, Burada Hepimize Yer Var!\u201d yaz\u0131s\u0131yla \u0130lker Hepkaner; \u201cPop M\u00fczikten G\u00fcvenli Alan Olur Mu?\u201d yaz\u0131s\u0131yla Sezgin \u0130nceel; \u201cPop M\u00fczikle Direni\u015f: S\u00f6z\u00fcn Menzili\u201d yaz\u0131s\u0131yla Ozan \u00d6zkan; \u201cHeteronormatif Ger\u00e7ekli\u011fin \u00d6tesinde: Scream\u201d yaz\u0131s\u0131yla Alara Demirel; \u201cDijital Oyunlarda LGBT\u0130+ G\u00f6r\u00fcn\u00fcrl\u00fc\u011f\u00fc:Bir tik atal\u0131m yeter!\u201d yaz\u0131s\u0131yla Egemen Bayraktar; \u201cNefret S\u00f6ylemiyle M\u00fccadelede Alternatif S\u00f6ylem\u201d yaz\u0131s\u0131yla Lilith katk\u0131 sundu.<\/p>\n
G\u00fcncel sayfalarda ise, \u201c\u0130ki A\u011fa\u00e7l\u0131 Orman\u201d \u00f6yk\u00fcs\u00fcyle Meltem Bent, \u201cBir \u00c7ocu\u011fun Benli\u011fini Kurma Savrulu\u015flar\u0131\u201d incelemesiyle Ali Bulunmaz; \u201cQueer Arzuyu, Romantizmi ve Erotizmi Kutlayan Davetk\u00e2r Bir Bah\u00e7e\u201d s\u00f6yle\u015fisiyle Nergis Ab\u0131yeva; \u201cHer Lubunya Bir \u0130kondur!\u201d s\u00f6yle\u015fisiyle Tanju Tariz; \u201cMadilik, Madikoli ve Gull\u00fcm\u00fcn \u0130zinden Bir \u0130nceleme\u201d yaz\u0131s\u0131yla Galip Karabacak; \u201cA\u00e7\u0131lman\u0131n \u00d6tesinde\u201d yaz\u0131s\u0131yla Kerem Sel\u00e7uk ve \u201cKonu\u015fmam\u0131z Gerekenler Var: Tetikleyici \u0130\u00e7erikler ve Uyar\u0131lar\u201d yaz\u0131s\u0131yla Damla Umut Uzun yer ald\u0131.<\/p>\n
Pop\u00fcler K\u00fclt\u00fcr say\u0131s\u0131n\u0131n kapa\u011f\u0131na Naz\u0131m \u00dcnal Y\u0131lmaz \u00e7al\u0131\u015fmas\u0131yla e\u015flik ederken, umumda Bur\u00e7ak Bing\u00f6l yer ald\u0131.<\/p>\n
[1] Fiske, J. (2012). Popu\u0308ler ku\u0308ltu\u0308ru\u0308 anlamak. (C\u0327ev. S. I\u0307rvan). I\u0307stanbul: Pars\u0327o\u0308men Yay\u0131nc\u0131l\u0131k.<\/p>\n
[2] Minnet, Bet\u00fcl (2018). Pop\u00fcler olandan politik olana: Pop\u00fcler k\u00fclt\u00fcr ikonlar\u0131n\u0131n toplumsal d\u00f6n\u00fc\u015f\u00fcme etkileri.<\/p>\n","protected":false},"excerpt":{"rendered":"
Varolu\u015f tarz\u0131na i\u00e7kin bir etkinlik olarak k\u00fclt\u00fcr[1], yaln\u0131zca somut t\u00fcketim \u00fcr\u00fcnleri \u00fcretmekle kalmay\u0131p, ki\u015fileri ve toplumlar\u0131 d\u00f6n\u00fc\u015ft\u00fcren, kimi zaman s\u0131\u011f\u0131n\u0131lan alanlar sunup kimi zaman direnme pratikleri yaratan bir olgu olarak kar\u015f\u0131m\u0131za \u00e7\u0131kmaktad\u0131r.[2] Peki, kendi ba\u015f\u0131na bir g\u00fc\u00e7 ve direnme alan\u0131 haline gelebilen pop\u00fcler k\u00fclt\u00fcr LGBT\u0130+\u2019lar i\u00e7in ne ifade ediyor? Pop\u00fcler k\u00fclt\u00fcr\u00fcn LGBT\u0130+\u2019lar\u0131n ya\u015famlar\u0131na etkileri kadar…<\/p>\n","protected":false},"featured_media":5625,"template":"","meta":[],"product_brand":[],"product_cat":[49,52],"product_tag":[],"class_list":["post-5624","product","type-product","status-publish","has-post-thumbnail","product_cat-dergiler","product_cat-queer-yayinlar","first","outofstock","shipping-taxable","purchasable","product-type-simple"],"yoast_head":"\n