In a world where the making and consumption of art is constantly changing, the term \u201cIslamic art\u201d can be hard to define. Through the exploration of a wide array of media-from painting, sculpture, and photography to video and multimedia-an internationally renowned group of scholars, collectors, artists, and curators tackles questions such as whether the art has to come from the Middle East, whether it must have a religious component, and, indeed, whether the work of art must be made by a Muslim. Based on a series of papers presented at the 7th Biennial Hamad bin Khalifa Symposium on Islamic Art in 2017, the essays in this volume grapple with these questions from a range of viewpoints. These texts-including beautiful illustrations of major works by contemporary artists from the Muslim world, including Newsha Tavakolian, Shahzia Sikander, Hassan Hajjaj and Lalla Essaydi-invoke a lively discussion of how the arts of the Islamic lands link the past with the present and the future.<\/p>","protected":false},"excerpt":{"rendered":"
In a world where the making and consumption of art is constantly changing, the term “Islamic art” can be hard to define. Through the exploration of a wide array of media\u2014from painting, sculpture, and photography to video and multimedia\u2014an internationally renowned group of scholars, collectors, artists, and curators tackles questions such as whether the art…<\/p>","protected":false},"featured_media":6962,"template":"","meta":[],"product_brand":[],"product_cat":[48,47],"product_tag":[],"class_list":["post-5491","product","type-product","status-publish","has-post-thumbnail","product_cat-akademik-yayinlar","product_cat-kitaplar","first","outofstock","shipping-taxable","purchasable","product-type-simple"],"yoast_head":"\n